TOTALITARIANISM, PERFECTION, AND OPPRESSION

Milan Kundera:

Totalitarianism is not only hell, but also the dream of paradise — the age-old dream of a world where everybody would live in harmony, united by a single common will and faith, without secrets from one another. … If totalitarianism did not exploit these archetypes, which are deep inside us all and rooted deep in all religions, it could never attract so many people, especially during the early phases of its existence. Once the dream of paradise starts to turn into reality, however, here and there people begin to crop up who stand in its way, and so the rulers of paradise must build a little gulag on the side of Eden. In the course of time this gulag grows ever bigger and more perfect, while the adjoining paradise gets ever smaller and poorer.

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ALL THE BEAUTY AND THE BLOODSHED

There are many examples of cruel injustices, often inflicted by people intent on personal gain, at the expense of others’ pain. In so many instances, the ones inflicting pain go out of their way to “other” those who suffer as a result, stigmatizing them as somehow deserving of their pain.

Yesterday evening we saw the film All the Beauty and the Bloodshed. It’s a really powerful documentary that weaves together the life and career of the photographer Nan Goldin, the profound inhumanity in the response to HIV/AIDS and those who suffered and died from it, and opioid crisis prompted by the self-serving work of Purdue Pharma and the Sackler family to flood the medical market with Oxycontin. Goldin, an award winning photographer whose work is displayed in many prominent museums around the world, focused much of her work on the LGBT subculture, primarily in New York City. She is also a founder of the advocacy group Prescription Addiction Intervention Now (P.A.I.N.) which was instrumental in pushing museums and other cultural institutions to stop taking money from the Sackler family and also to remove the family’s name from exhibition halls.

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WHY WRITE AND WHY BLOG?

Why am I writing? And, if I’m writing, why post my writings on the web? These are questions I’ve pondered over the last year or so as I resisted the urge to try yet again to write a blog. I’ve realized in the last month that even if (especially if) I continue to write here, I’ll continue to struggle with them. So consider this the first (actually, it’s the second) of many more posts addressing this question.

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READING (AND TRANSLATING) ONE’S PAST WRITINGS

Jhumpa Lahiri:

We write books in a fixed moment in time, in a specific phase of our consciousness and development. That is why reading words written years ago feels alienating. You are no longer the person whose existence depended on the production of those words. But alienation, for better or for worse, establishes distance, and grants perspective, two things that are particularly crucial to the act of translation.

Translating Myself and Others, p. 84

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SHARING A MICROBIOME

There’s a lot of talk about microbiome in the news these days. Fecal transplant, anyone? But it seems that one doesn’t have to go to that extreme to share one’s microbiome with another. Apparently one shares all sorts of little critters living in and on one’s body merely by living with another person.

As with many things in life, it starts with the mother. “During an infant’s first year of life, half of the microbial strains in their guts were shared with their mothers. The extent of overlap decreased as children aged — but did not vanish. Older people, aged 50–85, still had gut microbe strains in common with their mothers.”

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READING IS ITS OWN REWARD

Virginia Woolf:

Yet who reads to bring about an end however desirable? Are there not some pursuits that we practise because they are good in themselves, and some pleasures that are final? And is not this among them? I have sometimes dreamt, at least, that when the Day of Judgment dawns and the great conquerors and lawyers and statesmen come to receive their rewards — their crowns, their laurels, their names carved indelibly upon imperishable marble — the Almighty will turn to Peter and will say, not without a certain envy when He sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.”

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COURAGE TO WRITE

Hannah Arendt:

The connotation of courage, which we now feel to be an indispensable quality of the hero, is in fact already present in a willingness to act and speak at all, to insert one’s self into the world and begin a story of one’s own. And this courage is not necessarily or even primarily related to a willingness to suffer the consequences; courage and even boldness are already present in leaving one’s private hiding place and showing who one is, in disclosing and exposing one’s self. The extent of this original courage, without which action and speech and therefore, according to the Greeks, freedom, would not be possible at all, is not less great and may even be greater if the ‘hero’ happens to be a coward.

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SOCIAL MEDIA FROM THE QUIET CORNER OF THE ROOM

When I was in college, I worked as a student assistant to a philosophy professor. It was a good gig for me – I was majoring in philosophy and hoped to teach it in college myself some day. It was good to get an inside look at things. One of the more striking memories of this professor wasn’t from the classroom or the department office. It was from a holiday party.

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RIGGING THE ALGORITHM ON TIKTOK

I wrote in my Getting started post that I still have facebook and instagram accounts. I no longer post there, but I’ve not yet deleted them (as much as meta would let me delete them, that is). But I’ve avoided other, more recent, platforms – most notably, TikTok. Still, it’s interesting to learn that TikTok’s parent company ByteDance has its own way of controlling the flow of things to maximize their profits. TikTok’s secret ‘heating’ button can make anything go viral.

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ACADEMIC DEPARTMENTALIZATION AND TEACHING MENTALITY

Alfred North Whitehead:

…the increasing departmentalization of universities during the last hundred years, however necessary for administrative purposes, tends to trivialize the mentality of the teaching profession.

Modes of Thought, p. 131. (I can’t resist noting that this book was first published in 1938.)